'' ROCK ART QUEEN ''
Artwork of the artist Raffaele Ciotola dedicated to His Majesty Elizabeth ll of the United Kingston of Great Britain and Northern Ireland and of the other Commonwealth Realms.
In this artwork, the artist Raffaele Ciotola wants to represent His Majesty Elizabeth II in the guise of the Rock Queen. This historical character conveys authority, seriousness and struck the artist’s mind since his childhood. The respect that binds him to His Majesty leads him to feel congeniality, so he wants to transform her, through art, into a character which can be closer to the youth of the whole world. A Queen with a look that definitely takes distance from herinstitutional role. This artwork is inspired by thegreat tenderness that R.Ciotola feels towards her, so it represents her in this way in order to attract youth’s attention not towards any ordinary old woman, but towards a Queen marking the history. Generally Queens born live and die like all ordinary mortals, but the artist wanted to immortalize the fondness and the extraordinary tenderness of His Majesty Elizabeth II in an unusual form, so that the young people do not remember her only on history books, but immortalized through this framework that portrays her with the same appearance that many young people love. She is represented with tattoos and piercings, taking on a disobedient and determined appearance, rebelling against stereotypes and patterns just as young people do.
Oil colors on canvas
Measure 40x50
Raffaele Ciotola was born in Naples on the 17th of October 1964. His loving and receptive family promoted his studies and supported supporting his artistic nature. He obtained the Artistic High School School graduation and got the Master of Arts degree at the state institute of Arts "F.Palizzi" in Naples in 1983. Since he was a boy he has been devoting his life to painting in a professional manner; after his debut in 1980 at an exhibition in his hometown, he kept on taking part in other collective and personal exhibitions set up in several Italian cities until 2002 (Piano di Sorrento, St. Anne in Naples, Milano, Viterbo, Milan). He was awarded the gold medal at the National Biennial of Sacred Art in Torre del Greco in 1980 by prof. Mr Franco Girosi, a famous Neaolitan artist of the last century. It was foundamental for his training, the meetings with prof. Mr Franco Girosi and with Mr Luigi Signore, an artist known as one of the best sculptors of cribs in Italy today. He studied music and attended the voice class at the Conservatory of Naples, but the meeting he had in Rome in 1987 with Master Mr Renato Guelfi, opera singer and painter, was so crucial to his professional growth that he started performing as a singer in some Italian theatres (Lecce, Santa Maria di Leuca, Ronciglione, Villa Pignatelli in Naples). He got to obtained some rewards such as: the gold medal in "La Triade" Prize, Palazzo Sormani - Sala del Grechetto - Milano; the diploma of honor at St. Anastasia, Naples. His personal exhibition in Tuscia dates back to 2002 , in this occasion he exhibited for the first time at the Sala Anselmi in Viterbo. His painting style and production are characterized by an intense use of colours and by the chiaroscuro effects conveying a whole creative freedom and a boundless vital energy, without hiding any strong and eloquent emotion, leaving the viewer a hope, a light , the one that leads beyond any solitude and that blurs roles and social conventions. In fact, from the late 90s, his work is more focused on topical issues and feels the effect of his civil commitment against homophobia and discriminatory behaviors, so it became a vehicle to spread some nonconformist messages, even inspired by universal ethical values. In 2003 he created the artistic movement called "Stop Homoph Art" which aims to spread the culture of respect and fight against homophobia. From this battle, "The Madonna of the homosexuals" came to life, it became the emblematic work of his production and will be exhibited for the first time in the foyer of the Mercadante Theater in Naples on the 18th of October 2014. So his landscapes and his dreamlike hermetic metaphysical views of the first period, they have been gradually replaced by works full of reflection and judgment which are well received by public and by critics, attracting the attention of Mr Jean-Louis Cougnon, Chief Excecutive at General Managment of European Parliament.
e.mail: maestror.c@gmail.com